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Descripción - Críticas '[A] wonderful book' (Dame Felicity Lott Waitrose Weekend)'From a hard and vast archival mass...Mr de Waal has fashioned, stroke by minuscule stroke, a book as fresh with detail as if it had been written from life, and as full of beauty and whimsy as a netsuke from the hands of a master carver.' (The Economist)'This remarkable book... a meditation on touch, exile, space and the responsibility of inheritance... like the netsuke themselves, this book is impossible to put down. you have in your hands a masterpiece.' (Frances Wilson The Sunday Times)'Few writers have ever brought more perception, wonder and dignity to a family story as has Edmund de Waal in a narrative that beguiles from the opening sentence' (Eileen Battersby Irish Times)'Part treasure hunt, part family saga, Edmund de Waal's richly original memoir spans nearly two centuries and covers half the world' (Evening Standard) Reseña del editor THE NUMBER ONE SUNDAY TIMES BESTSELLERWINNER OF THE 2010 COSTA BIOGRAPHY AWARD264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined.From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 'You have in your hands a masterpiece' Frances Wilson, Sunday Times 'The most brilliant book I've read for years... A rich tale of the pleasure and pains of what it is to be human' Bettany Hughes, Daily Telegraph, Books of the Year'A complex and beautiful book' Diana Athill**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY** Nota de la solapa THE NUMBER ONE SUNDAY TIMES BESTSELLER. WINNER OF THE 2010 COSTA BIOGRAPHY AWARD. 264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 'You have in your hands a masterpiece' Frances Wilson, Sunday Times. 'The most brilliant book I've read for years...A rich tale of the pleasure and pains of what it is to be human' Bettany Hughes, Daily Telegraph, Books of the Year. 'A complex and beautiful book' Diana Athill. Contraportada THE NUMBER ONE SUNDAY TIMES BESTSELLER. WINNER OF THE 2010 COSTA BIOGRAPHY AWARD. 264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 'You have in your hands a masterpiece' Frances Wilson, Sunday Times. 'The most brilliant book I've read for years...A rich tale of the pleasure and pains of what it is to be human' Bettany Hughes, Daily Telegraph, Books of the Year. 'A complex and beautiful book' Diana Athill. Biografía del autor Edmund de Waal's porcelain is shown in many museum collections round the world and he has recently made installations for the V&A and Tate Britain. He was apprenticed as a potter, studied in Japan and read English at Cambridge. He is Professor of Ceramics at the University of Westminster and lives in London with his family.
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The hare with amber eyes a hidden inheritance ivorypress 264 wood and ivory carvings none of them larger than a matchbox potter edmund de waal was entranced when he first encountered the collection in the tokyo apartment of his great uncle iggie later when edmund inherited the netsuke they unlocked a story far larger than he could ever have imagined the ephrussis came from
The hare with amber eyes a hidden inheritance paperback in addition to the immortal life of henrietta lacks and young men and fire i thoroughly enjoyed the hare with amber eyes by edmund de waal it is a family history framed by a collection of netsuke miniature carvings from japan which was assembled in belle epoch paris by an ancestor of the author and passed down to him through turns that illuminate the momentous events of the intervening years
The hare with amber eyes a hidden inheritance paperback his bestselling memoir the hare with amber eyes was shortlisted for numerous prizes and won the costa biography award and the rsl ondaatje prize praise for a family memoir written with a grace and modesty that almost belie the sweep of its contents proust rilke japanese art the rue de monceau vienna during the second world war
The hare with amber eyes a hidden inheritance paperback a new york times bestselleran economist book of the year costa book award winner for biography galaxy national book award winner new writer of the year awardedmund de waal is a worldfamous ceramicist having spent thirty years making beautiful potswhich are then sold collected and handed onhe has a particular sense of the secret lives of objects
The hare with amber eyes a hidden inheritance compact but the netsuke were smuggled away by a loyal maid anna and hidden in her straw mattress years after the war she would find a way to return them to the family shed served even in their exile in the hare with amber eyes edmund de waal unfolds the story of a remarkable family and a tumultuous century
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The hare with amber eyes a hidden inheritance by edmund the hare with amber eyes a hidden inheritance by edmund de waal the potter believes in the existential hum of objects but this tale of a family heirloom misses the bigger picture