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The Oxford Handbook of Topic Theory (Oxford Handbooks) de Danuta Mirka PhD
Descripción - Reseña del editor Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries. Biografía del autor Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.
Detalles del Libro
- Name: The Oxford Handbook of Topic Theory (Oxford Handbooks)
- Autor: Danuta Mirka PhD
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Oxford handbook of topic theory oxford handbooks the concept of topics was introduced into the vocabulary of music scholars by leonard ratner to account for crossreferences between eighteenthcentury styles and genres the emergence of this phenomenon followed the rapid proliferation and consolidation of stylistic and generic categories while music theorists and critics classified styles and genres defining their affects and proper
Oxford handbook of topic theory oxford handbooks rights department oxford university press at the address above you must not circulate this work in any other form and you must impose this same condition on any acquirer library of congress cataloginginpublication data the oxford handbook of topic theory edited by danuta mirka pages cm includes bibliographical references and index
The oxford handbook of topic theory oxford handbooks as the invention of a twentiethcentury academic topic theory as a field is comparatively new and the oxford handbook of topic theory provides a muchneeded reconstruction of the fields aesthetic underpinnings the volume grounds the concept of topics in eighteenthcentury music theory aesthetics and criticism
The oxford handbook of topic theory paperback danuta the oxford handbook of topic theory edited by danuta mirka phd oxford handbooks foundational publication in topic theory offers analyses from a variety of methodological perspectives connects topic theory to wider musicological and musictheoretical research brings music history and music theory into close discussion
The oxford handbook of topic theory online resource topics are musical signs that rely on associations with different genres styles and types of music making the concept of topics was introduced by leonard ratner in the 1980s to account for crossreferences between eighteenthcentury styles and genres
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