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Sound Unseen: Acousmatic Sound in Theory and Practice de Brian Kane
Descripción - Críticas Much in this substantive book will resonate with the reader after the concluding page is turned. Recommended. (Choice)The driving force behind Sound Unseen is Kane's argument for a historical, subject-centered theory of acousmatic sound-one that doesn't privilege a particular musical aesthetic, one that doesn't essentialize technologies, and one that admits a consideration of sounds emanating from the interiority of the subjective consciousness...Kane's traversal of the transdisciplinary landscape is graceful and his approach offers a healthy perspective for the field of music research more generally. (Landon Morrison, Society for Music Theory)Kane uncovers a history of acousmatic sound independent of the legacy of Schaeffer and Pythagoras in order to articulate a rather distinct approach to the study of sound that transcends the divisions between musicology and sound studies...[Sound Unseen] is an essential text for scholars of the philosophy of music, electronic music, sound studies, and phenomenology. (Journal of Sonic Studies)Kane's methodology is multi-disciplinary, analysing a variety of cases. (Neural)Brian Kane...has in Sound Unseen written the definitive explanatory tract on the acousmatic. (The Wire)Sound Unseen is both successful and provocative precisely because of these constructive dissonances. It is a rare book that can put thinkers as diverse as P. F. Strawson or Bertrand Russell on the same page with Derrida or Heidegger, especially with Kane's unassuming clarity. Furthermore, Kane shows how music studies and philosophy can speak to each other when they are conceived as mutually supplemental (questions about sound infect philosophical questions, and thus a musical answer becomes a philosophical answer. Finally, Kane's tone deserves special mention, as it untangles knotty philosophical questions with remarkably accessible language: despite the density of his topics, his prose treads lightly and patiently, requiring little philosophical acumen yet rewarding those who may have it.)Sound Unseen represents a significant contribution to the field of voice studies...Brian Kane succeeds in developing a cogent and flexible explanatory paradigm for acousmatic sound that is clear without being reductive. Kane's account of acousmatic sound allows one to situate the practices of listening within their historical and cultural contexts...Scrupulously researched and conceptually virtuosic, Sound Unseen asks us to rethink the way we listen. (Journal of Musicological Research)Kane effectively decenters the privileged position of Schaefferian accounts in present discourse and opens the door to a broader survey of acousmatic listening practices spanning a variety of sociohistorical situations...Without doubt, Kane's book makes a significant contribution to existing literature on acousmatic sound, and it is necessary reading for anyone interested in exploring the fertile intersection of music, sound, and philosophy. (Music Theory Online) Reseña del editor Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, 'acousmatic' was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives ? historical, cultural, philosophical and musical ? and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases ? from Bayreuth to Kafka's 'Burrow,' Apollinaire to Zizek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of 'acousmatics,' Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses. Biografía del autor Brian Kane is Associate Professor of Music at Yale University and a founding editor of the journal nonsite.org. His research specializes in contemporary music, sound art, sound studies/auditory culture, histories of listening, and intersections between music and philosophy
Detalles del Libro
- Name: Sound Unseen: Acousmatic Sound in Theory and Practice
- Autor: Brian Kane
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 15 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Gratis Sound Unseen: Acousmatic Sound in Theory and Practice de Brian Kane PDF [ePub Mobi] Gratis
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Sound unseen acousmatic sound in theory and practice sound unseen explores acousmatic sounda sound that one hears without seeing its cause pierre schaeffer the inventor of musique concrète in his traité des objets musicaux first popularized the term acousmatic after an introduction chapter 1 provides a thorough exegesis of schaeffers theory of acousmatics it also presents three objections to schaeffers theories myth
Sound unseen acousmatic sound in theory and practice by in sound unseen brian kane gathers an impressively broad set of philosophical perspectives historical and etymological genealogies and musical case studies in the service of his theory of acousmatic soundsound whose source is concealedkanes arguments spread themselves across an equally broad number of issues in sound studies music studies and philosophy the historical grounding of
Sound unseen acousmatic sound in theory and practice sound unseen acousmatic sound in theory and practice explores the phenomenon of acousmatic sound an unusual and neglected word acousmatic was first introduced into modern parlance in the mid1960s by avant garde composer of musique concr te pierre schaeffer to describe the experience of hearing a sound without seeing its cause
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Pubblicato il libro sound unseen acousmatic sound in pubblicato il libro sound unseen acousmatic sound in theory and practice aia notizie pubblicato il libro sound unseen acousmatic sound in theory and practice volume rilegato 1 luglio 2014 pp xi336 isbn 9780199347841 oxford university press prezzo 5092 euro su
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Libri pagina 3 aia pubblicato il libro sound unseen acousmatic sound in theory and practice volume rilegato 1 luglio 2014 pp xi336 isbn 9780199347841 oxford university press prezzo 5092 euro su acusmatico è un aggettivo riferito ad un suono udibile senza che ne sia individuata la causa originaria
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