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Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence de Adrian W. B. Randolph
Descripción - Críticas 'Randolph contributes to the field of Florentine art history with nuance and flair, standing out for his engagement with gender studies, literary and cultural theory, and methodology.' Cristelle Baskins, Tufts University Reseña del editor During the 15th century, Florence emerged as one of Europe's most important city-states. This text investigates the fascinating intersection of art, politics and gender in the public sphere of Florence at this time. Adrian Randolph identifies a pivotal moment in the history of public art when Florentines visually encoded political and social relations within gendered categories. Randolph shows how 'engaging' political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation. The author emphasizes the sculpture of Donatello and the Medici family's efforts to seek legitimacy through artistic patronage. To characterize the political function of art, however, the text also encompasses a broad array of media - including paintings by Botticelli, portrait medals, and especially engravings - and tracks a number of important political developments. During the course of the 15th century, as tensions grew between Florence's explicit republicanism and a waxing politics of personal charisma, art was employed to alleviate the uneasiness, Randolph argues. First an oligarchical government and then three generations of Medici rulers, recognizing the importance of political appearances, carefully crafted images of themselves, their city, and the consensual relation they imagined existing between the two. Randolph aims to cast new light on these artistic practices to arrive at a convincing view of the connections among politics, gender and art in quattrocento Florence. Biografía del autor Adrian W. B. Randolph is associate professor of art history at Dartmouth College.
Detalles del Libro
- Name: Engaging Symbols: Gender, Politics and Public Art in Fifteenth-century Florence
- Autor: Adrian W. B. Randolph
- Categoria: Libros,Libros universitarios y de estudios superiores,Humanidades
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 412 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Family jewels the gendered marking of medici women in medici florence 2001 6593 for a sociopolitical interpretation of the meaning of the medicis diamond ring impresa in the fifteenth century see adrian w b randolph engaging symbols legitimacy consent and the medici diamond ring in engaging symbols gender politics and public art in fifteenthcentury florence new haven 2002
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Villa speranza i canoni della bellezza maschile nellarte engaging symbols gender politics and public art in fifteenthcentury florence new havenconn yale university press love poetry written by men to men is considerably more abundant in renaissance latin literature in the vernacular tradition love poetry written by male poets to male addressees is unusual but not unheard of
Sandro botticelli la calúmnia dapelles arts i humanitats art and phenomenology nova york londres routledge ramesh kieron ramsahoye cistercian spirituality sacred drama and florentine civic identification in botticellis cestello annunciation artefact the irish association of art historians nº 6 2011 pàgs 4760
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Portrait of a man with a medal of cosimo the elder portrait of a man with a medal of cosimo the elder also known as portrait of a youth with a medal is a tempera painting by italian renaissance painter sandro botticellithe painting features a young man displaying in triangled hands a medal stamped with the likeness of cosimo de medicithe identity of the young man has been a longenduring mystery