Download Choreographic Politics: State Folk Companies, Representation and Power de Anthony Shay PDF [ePub Mobi] Gratis, Choreographic Politics: State Folk Companies, Representation and Power Pdf en linea
Descripción - Críticas 'This study of the politics of representation and authentication among state-sponsored or state-assisted 'folk ensembles' shows that dance is a culturally significant social phenomenaValuable for anyone teaching a course on dance ethnology, the anthropology of art or aesthetics.'--James LaVita, Professor, University of Denver Reseña del editor Over the past fifty years national dance companies from Turkey, Egypt, Mexico, Greece, the former USSR and Croatia have dominated concert stages throughout the world. Anthony Shay makes coherent sense of these national programs, which have previously received scant academic attention. Specifically, he looks at the ways through which these companies spread political, ethnic and cultural messages by accruing symbolic and cultural capital for their respective nation-states. In his analysis, Shay draws on cultural studies, political science and anthropology to create a work that cuts across disciplines. As the first book to address the topic of state-sponsored folk dance ensembles and their structures, Choreographic Politics examines the repertoires, performances and choreographic strategies of these companies within the political, social, gendered and ethnic contexts in which each company was created. In addition, Shay's study includes a look at music, costumes, and various artistic directors and choreographers.
Choreographic politics state folk dance companies choreographic politics state folk dance companies representation and power by anthony shay middletown connecticut wesleyan university press 2002 249 pages bibliography us1995 paper isbn 0819565210 volume 37 issue 2 martin stokes
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Review of choreographic politics state folk dance for this welcome addition to the literature on folk dance ensembles shay also author of choreophobia solo improvised dance in the iranian world 1999 draws on his 40plusyear association as choreographer performer and researcher working with such groups using studies of six state folk dance ensembles the author analyzes how performances reveal issues of representation
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Review of choreographing identities folk dance with this book shay extends his two previous works on folk dance choreophobia solo improvised dance in the iranian world 1999 and choreographic politics state folk dance companies representation and power ch jan03 402710 drawing on some 40 years of experience as performer choreographer and producer of folk ensembles in the us the author reviews key north american folkdance
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