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On the Principles and Practice of Conducting (0) de Markand Thakar

Descripción - Críticas This is a phenomenal book. It is written in a thoroughly approachable manner that can be enjoyed by music lovers curious about the art of conducting, and function as an invaluable resource for students of conducting. The online component is helpful as well, with its inclusion of video exercises and music parts for small ensembles of various combinations, so the student can get hands-on practice. . . . Thakar writes with the warmth and humility of a devoted teacher and the expertise of a seasoned professional who has learned his craft through years of study and good, old-fashioned real-world experience. Most importantly, he writes as somebody who understands and loves music on a deep level, a must for any conductor worth his or her salt. Highly recommended. FANFARE What distinguishes Markand Thakar as a conductor and a teacher is the unique balance he achieves between the technical and the emotional contents of music, and the ability to communicate that balance to both audiences and students. It is that quality that runs throughout this book, and it is that quality that makes this book both different from others and extraordinarily valuable. --Henry Fogel, dean, Chicago College of Performing Arts, Roosevelt University With insight into into how mind and body contribute effectively, On the Principles and Practice of Conducting offers a fresh and highly detailed approach to successful music-making from the podium. The online video demonstrations clearly solve a multitude of technical issues confronting conductors. A must read for all students of conducting! --David Effron, Professor of Orchestral Conducting, Jacobs School of Music, Indiana University Reseña del editor This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar is music director of the Baltimore Chamber Orchestra. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar leads annual conductor-training programs that draw students from around the world. He is author of Looking for the 'Harp' Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990). Biografía del autor Markand Thakar is music director of the Baltimore Chamber Orchestra and a member of the graduate conducting faculty at the Peabody Conservatory. A protege of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar leads annual conductor-training programs that draw hundreds of students from around the world. He is author of I>Looking for the 'Harp' Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

Detalles del Libro

  • Name: On the Principles and Practice of Conducting (0)
  • Autor: Markand Thakar
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 16 MB
  • Tipos de archivo: PDF Document
  • Descargada: 714 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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