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Photography at MoMA: 1840-1920 de Quentin Bajac

Descripción - Reseña del editor The final volume in a series of books that presents a new and comprehensive history of photography through works in MoMA’s collection.

Photography at MoMA: 1860–1920 is the final volume in a set of three books that together present a new and comprehensive history of photography through works in MoMA’s collection. Richly illustrated with over 400 reproductions, the book charts the medium from its invention through its participation in international art movements such as Pictorialism and modernism. It offers a fresh lens through which to appreciate works of exceptional significance, surprise, and influence, encouraging creative new readings. Beginning with an in-depth introduction, the book includes eight chapters of full-colour plates, each introduced by a short essay. Masterworks by photographers such as Julia Margaret Cameron, Roger Fenton, Nadar, Frances Benjamin Johnston, Henry Fox Talbot, August Sander, Edward Steichen and Carleton Watkins appear alongside lesser-known gems and vernacular forms of photography.

Detalles del Libro

  • Name: Photography at MoMA: 1840-1920
  • Autor: Quentin Bajac
  • Categoria: Libros,Arte, cine y fotografía,Fotografía
  • Tamaño del archivo: 7 MB
  • Tipos de archivo: PDF Document
  • Descargada: 435 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Photography at moma 18401920 moma design store photography at moma 18401920 description since the invention of photography legions of practitioners have mined its artistic and practical potential paying particular attention to its novel depiction of space and time its utility as a tool for documentation and exploration and its distinctive take on modernism and modernity

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Photography at moma contributors modern that it is represented in momas collection by works that predate any of the museums paintings or sculptures by a full forty years and now more than 175 years later the modern spirit of early photography remains intact and photography at moma 1840 to 1920 provides a record of its contradictions aspirations and achievements

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