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Artificial Hells. Participatory Art And The Politics Of Spectatorship de Claire Bishop
Descripción - Críticas Praise for Installation Art: 'A profound understanding of the subject ... Rather than being a bland survey, it is critical and breaks new interpretative ground.' Margaret Iversen, University of Essex 'An essential purchase and recommended reading - an important contribution to the field.' Michael Newman, The Art Institute of Chicago 'An excellent introduction.' Amy Weiss, Library Journal Reviews Reseña del editor For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term 'relational aesthetics' to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art. The book follows the trajectory of twentieth-century art and examines key moments in the development of the participatory aesthetic, in both Europe and America. This itinerary takes in Futurism, Dada, Situationism, Czechoslovakian Happenings, and Argentinean Conceptualism, and concludes with contemporary artists such as Thomas Hirschhorn, Tania Bruguera and Jeremy Deller. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to expose the political and aesthetic limitations of this work. In Artificial Hells she not only scrutinizes the claims for democracy and emancipation that the artists and critics make for the work, but also questions the turn to ethical (rather than artistic) criteria invited by such participatory and collaborative art. Biografía del autor Claire Bishop is Associate Professor in the History of Art department at the CUNY Graduate Center, New York. She is the author of Installation Art: A Critical History and editor of Participation. In 2008 she co-curated the exhibition Double Agent at the ICA. She is a regular contributor to Artforum, October, Tate Etc, IDEA, and other international art magazines.
Detalles del Libro
- Name: Artificial Hells. Participatory Art And The Politics Of Spectatorship
- Autor: Claire Bishop
- Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 714 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar Artificial Hells. Participatory Art And The Politics Of Spectatorship de Claire Bishop Ebooks, PDF, ePub
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Artificial hells ebook por claire bishop 9781844677962 lee artificial hells participatory art and the politics of spectatorship por claire bishop disponible en rakuten kobo since the 1990s critics and curators have broadly accepted the notion that participatory art is the ultimate political
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Artificial hells participatory art and the politics of claire bishop is associate professor in the history of art department at the cuny graduate center new york she is the author of installation art a critical history artificial hells participatory art and the politics of spectatorship and editor of participation in 2008 she cocurated the exhibition double agent at the icashe is a regular contributor to artforum october tate etc
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Artificial hells participatory art and the politics of i am not really up on participatory art and have always looked at these works with a weary eyea lot of it just seems well silly so it was a challenge for me to pick up artificial hells and stick with it and i must admit that not all expositions of the book received my full attention
Review artificial hells i darkmatter journal review claire bishop 2012 artificial hells participatory art and the politics of spectatorship london and new york verso 382ppisbn 978 1 84467 690 3 when sartre concluded that hell is other people he meant to convey that the social interactions which define us as individuals are also the cause of our suffering