Descargar Medieval and Later Ivories in the Courtauld Gallery (Medieval Craftsmanship) de John Lowden Libros Gratis en EPUB, Medieval and Later Ivories in the Courtauld Gallery (Medieval Craftsmanship) Descargar libro
Descripción - Reseña del editor In 1966 Mark Gambier-Parry bequeathed to the Courtauld the art collection formed by his grandfather Thomas Gambier Parry (who died in 1888). Since then, of the 28 ivories in the collection, about half have been on permanent display at The Courtauld, yet they have remained largely unknown, even to experts. This scholarly catalogue, full of beautiful new photography, is the first publication dedicated solely to the collection. There are examples of the highest quality of ivory carving, both secular and religious in content, and a number of the objects are of outstanding interest. The earliest objects date from the late 11th century. In his introductory essay, John Lowden discusses the sourcing and use of ivory in art from late Antiquity to the Modern period, comparing the properties of walrus, narwhal, African elephant and Indian elephant tusks. He examines the problems in the modern day study of medieval ivories - the principal problems being the extraordinary reticence of the sources and almost entire lack of inscriptions - and the questions of authenticity raised by copies and casts and radiocarbon dating. The ivories are a revealing tribute to the perceptive eye of Thomas Gambier Parry, a distinguished Victorian collector and Gothic Revival artist responsible for a number of richly painted church interiors in England, such as the Eastern part of the nave ceiling and the octagon at Ely Cathedral. Alexandra Gerstein introduces the Gambier Parry as a collector, not only of ivories but of Trecento and Quattrocento paintings - the area for which he is best known to day - and of 'curiosities', including 16th-century Italian maiolica, marriage chests (cassoni), medieval and Renaissance enamels, Islamic metalwork, and other decorative arts.
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Medieval and byzantine the courtauld institute of art the courtauld is the most vibrant and dynamic centre for the study of medieval art in the uk we offer teaching and supervision across the full breadth of the medieval world however defined we have students and staff who work on everything from spain in the west to byzantium and the caucasus in the east
Medieval art archives views and reviews part of the gothic ivories project a freetouse database that aims to catalogue every surviving european ivory carving of c12001530 is to hold a biannual gettogether this year jointly held by the courtauld and the british museumfor a conference that swallowed up a medievalists weekend right before the annual international medieval conference at leeds apparently quite a number were
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