Lee un libro Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation de Nathalie Zonnenberg Libros Gratis en EPUB, Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation ePub Mobi
Descripción - Reseña del editor Conceptual Art in a Curatorial Perspective focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are frequently not object-based creates challenges when exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies of conceptualist group shows, and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, as well as the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions but to raise awareness within the traditional curatorial field. It is relevant for students of art and culture (particularly museum and curatorial studies), art and museum professionals, and anyone interested in the art of the 1960s and 1970s. Contraportada Auteur Nathalie Zonnenberg analyseert de problematiek rondom het tentoonstellen van ideekunst via drie case studies, en suggereert een alternatieve omgang met 'onbestaanbare' kunstwerken. Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.
Conceptual art in a curatorial perspective valiz conceptual art in a curatorial perspective between dematerialization and documentation focuses on the curatorial practice of exhibiting conceptual art the fact that conceptual works are not objectbased creates challenges in exhibiting or reexhibiting them this book offers various perspectives on how to handle conceptual art in the context
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Conceptual art in a curatorial perspective between conceptual art in a curatorial perspective focuses on the curatorial practice of exhibiting conceptual art the fact that conceptual works are not objectbased creates challenges in exhibiting them this book offers various perspectives on how to handl
Conceptual art in a curatorial perspective between conceptual art in a curatorial perspective between dematerialization and documentation focuses on the curatorial practice of exhibiting conceptual art the fact that conceptual works are not objectbased creates challenges in exhibiting or reexhibiting them
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Conceptual art in a curatorial perspective valiz conceptual art in a curatorial perspective between dematerialization and documentation richt zich op de museale praktijk van het tentoonstellen van conceptuele kunst in het nietobjectmatige karakter van deze kunst ligt een problematiek besloten die het hernieuwde tentoonstellen ervan bemoeilijkt
Conceptual art themes amp movements paperback osborne conceptual art in a curatorial perspective between dematerialization and documentation nathalie zonnenberg 50 out of 5 stars 1 paperback il libro è arrivato in ottime condizioni la spedizione è arrivata però un po in ritardo rispetto a quanto stabilito dal contratto
Desleer el conceptualismo ver lucy r lippard y john chandler the dematerialization of art art internacional vol 12 no2 febrero 1968 pp 3136 y lucy r lippard ed six years the dematerialization of the art object from 1966 to 1972 nueva york praeger 1973 2 diez aampntildeos despuampeacutes las reverberaciones de la exposiciampoacuten siguen repicando e incluso hoy con mayor intensidad que antes