[Download] The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition) de Mark T. Conard libros ebooks, The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition) espanol pdf
The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition) de Mark T. Conard
Descripción - Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.
Detalles del Libro
- Name: The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition)
- Autor: Mark T. Conard
- Categoria: Libros,Libros universitarios y de estudios superiores,Humanidades
- Tamaño del archivo: 13 MB
- Tipos de archivo: PDF Document
- Descargada: 456 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descarga The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition) de Mark T. Conard Libro PDF
The philosophy of neonoir philosophy of popular culture neonoir films incorporated the visual style characterizations and subject matter of the classic film noir of the 1940s and 50s but this latter film genre was able to employ more advanced film techniques and with the replacement of the moralistic production code with the more flexible modern ratings system neonoir film was able to add new dimensions of subject and visual matter
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The philosophy of neonoir mark t conard 9780813192178 the essays collected in the philosophy of neonoir explore the philosophical implications of neonoir touchstones such as blade runner chinatown reservoir dogs memento and the films of the coen brothers through the lens of philosophy mark t conard and the contributors examine previously obscure layers of meaning in these challenging films
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The philosophy of neonoir by mark t conard the essays collected in the philosophy of neonoir explore the philosophical implications of neonoir touchstones such as blade runner chinatown reservoir dogs memento and the films of the coen brothers through the lens of philosophy mark t conard and the contributors examine previously obscure layers of meaning in these challenging films
The philosophy of film noir google books a drifter with no name and no past driven purely by desire is convinced by a beautiful woman to murder her husband a harddrinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact the stories are at once romantic pessimistic filled with anxiety and a sense of alienation and they define the essence of film noir