[Download] Writing for Groucho Marx and Fred Allen: Interviews with Irving Brecher and Bob Weiskopf (Past Times Comedy Writing Series Book 2) (English Edition) de Jordan Young libros ebooks, Writing for Groucho Marx and Fred Allen: Interviews with Irving Brecher and Bob Weiskopf (Past Times Comedy Writing Series Book 2) (English Edition) espanol pdf
DescripciĆ³n - Comedians Groucho Marx and Fred Allen had much in common—they were old vaudevillians who learned their craft the hard way, through many years of trial and error on the road. Both, of course, were skilled ad-libbers renowned for their razor-sharp wit. Allen, whom John Steinbeck called “unquestionably the best humorist of our time,” held his own when dining or trading letters with Marx.Allen achieved the huge success in radio that eluded Marx, a circumstance ironically reversed in television. Marx’s most popular show would’ve been a great vehicle for Allen. As the latter’s longtime staff writer, Bob Weiskopf, noted: “Groucho thanked him once that he got ‘You Bet Your Life’ instead of Fred. Groucho told him, ‘This would’ve been perfect for you.’ It’s true. But Fred didn’t give television a chance.” Two- time Marx Brothers screenwriter Irving Brecher, whom Groucho considered a great wit, recalls in this ebook the difficulty of scripting films for the team, and his unsuccessful efforts to create a solo radio show for the comic—who “couldn’t stomach… that blow to his ego” after an earlier show was canceled.Bob Weiskopf discusses his “prestigious” gig working for Allen, Fred’s phony feud with Jack Benny, writing for such guest stars as Humphrey Bogart and Orson Welles, the popular Allen’s Alley characters, the writing sessions, the battles with network execs, and more. Plus: Charlie Isaacs talks about writing for Marx, and his failed attempt to sell a script to Allen; writer Hal Kanter recalls his friendship with Allen.Excerpted from the author’s acclaimed book, “The Laugh Crafters: Comedy Writing in Radio and TV’s Golden Age,” which features a dozen writers discussing their work in the prehistoric days of broadcasting—the 1930s, ‘40s and ‘50s.
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